Joyce Kilmer

Joyce Kilmer

Summary

Portrait of Joyce Kilmer Joyce Kilmer Joyce Kilmer

We left behind the land we love, the stormy sea we crossed.
We heard the cry of Belgium, and France the free and fair,
For where there’s work for fighting-men, the Sixty-ninth is there.
The Harp that once through Tara’s Halls shall fill the air with song,
And the Shamrock be cheered as the port is neared by our triumphant throng.
With the Potsdam Palace on a truck and the Kaiser in a sack,
New York will be seen one Irish green when the Sixty-ninth comes back.
The men who fought at Marye’s Heights will aid us from the sky,
They showed the world at Fredericksburg how Irish soldiers die.
Source: Gutenberg

Portrait of Joyce Kilmer Joyce Kilmer Joyce Kilmer

For us rich draughts of thine enchanted bliss
Shouldst be plunged down this cruel black abyss. 258
Brother and Master, if our love could free
Thy flameborne spirit from its leaden chain,
Thou shouldst rise up from this sad house of pain,
Be young and fair as thou wast wont to be,
And strong with joy as is the boundless sea.
Brother and Master, at thy feet we lay
These roses, red as lips that thou hast sung,
To mingle with the green and fragrant bay,
And cypress wreaths above thy head are hung.
We kneel awhile, then turn in tears away.
259
THE POET’S EPITAPH
Dreams fade with morning light
Source: Gutenberg

Portrait of Joyce Kilmer Joyce Kilmer Joyce Kilmer (1918)

Well, what is the difference between a poet who writes prose and a prose-writer who writes verse? The difference is easy to see but hard to describe. Mr. Thomas Hardy is a prose writer. He has forsaken the novel, of which he was so distinguished a master, to make cynical little sonnet portraits and to pour the acid wine of his philosophy—a sort of perverted Presbyterianism—into the graceful amphora of poetic drama. But he is not a poet. Thackeray was a prose-writer, in spite of his delicious light verse. Every novelist writes or has written verse, but not all of them are poets.
Source: Gutenberg

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