Summary

Portrait of Jules Verne Jules Verne,  Mathias Sandorf — Chapter XX (1885)

“ At this moment the railing of the chapel slowly opened. Wrapped in a white shroud, as if he had risen from his grave, Pierre appeared in the light.
“My son! my son!” exclaimed Mme. Bathory, who stretched out her arms and fell senseless.
It mattered little. Memory and thought had returned to her! The mother was awakened! She had recognized her son!
The doctor soon revived her, and when she had recovered her consciousness, when her eyes rested on her son—
“Alive! My Pierre! Alive!” she exclaimed.
“Yes! Living for your sake, mother, living to love you.”
”
Source: Wikisource

Portrait of Jules Verne Jules Verne,  Mathias Sandorf — Chapter XX (1885)

“ About seven o'clock in the evening Maria and Borik took the widow's arm, and leading her from the Stadthaus walked out to the cemetery. There Mme. Bathory remained before the threshold of the little chapel motionless and silent as always, although, by the light of the lamp which burned within, she could read the name of Stephen Bathory engraved on the marble slab. Only when Maria and the old man knelt as they went along did she have a faint look of intelligence in her eyes which almost instantly vanished. ”
Source: Wikisource

Portrait of Jules Verne Jules Verne,  Mathias Sandorf — Chapter XX (1885)

“ To reach the shore of Cartluige there is no need to take the little Italian railway that runs between La Goulette and Tunis, skirting the lake of Bahira. The hard, fine sand affords excellent walking, or the dusty road across the plain a little behind it gives easy access to the base of the hill on which stand the Chapel of Saint Louis and the convent of the Algerian missionaries.
At the time the doctor and his companions landed, several carriages, drawn by pigmy horses, were waiting in the square. To hail one and order it to drive rapidly to Carthage was the work of a minute.
”
Source: Wikisource

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