Summary

Portrait of Jules Verne Jules Verne Michael Strogoff (1876) — Chapter VIII (1876)

Nadia followed Michael Strogoff to the restaurant. She ate little, and as a poor girl whose means are small would do. Michael thought it best to content himself with the fare which satisfied his companion; and in less than twenty minutes he and Nadia returned on deck. There they seated themselves in the stern, and without preamble, Nadia, lowering her voice to be heard by him alone, began:
"Brother, I am the daughter of an exile. My name is Nadia Fedor. My mother died at Riga scarcely a month ago, and I am going to Irkutsk to rejoin my father and share his exile."
Source: Wikisource

Portrait of Jules Verne Jules Verne Michael Strogoff (1876) — Chapter VIII (1876)

They can see in the dark; and that woman there might well know--"
Michael Strogoff was on the point of following Sangarre and the gypsy band, but he stopped. "No," thought he, "no unguarded proceedings. If I were to stop that old fortune teller and his companions my incognito would run a risk of being discovered. Besides, now they have landed, before they can pass the frontier I shall be far beyond it. They may take the route from Kasan to Ishim, but that affords no resources to travelers. Besides a tarantass, drawn by good Siberian horses, will always go faster than a gypsy cart!
Source: Wikisource

Portrait of Jules Verne Jules Verne Michael Strogoff (1876) — Chapter VIII (1876)

By this time the man and Sangarre had disappeared.
Kasan is justly called the "Gate of Asia" and considered as the center of Siberian and Bokharian commerce; for two roads begin here and lead across the Ural Mountains. Michael Strogoff had very judiciously chosen the one by Perm and Ekaterenburg. It is the great stage road, well supplied with relays kept at the expense of the government, and is prolonged from Ishim to Irkutsk.
It is true that a second route--the one of which Michael had just spoken-- avoiding the slight detour by Perm, also connects Kasan with Ishim.
Source: Wikisource

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