Kate Douglas Smith Wiggin

Kate Douglas Smith Wiggin

Summary

Portrait of Kate Douglas Smith Wiggin Kate Douglas Smith Wiggin The Diary of a Goose Girl

But eat a duckling that I have stoned out of the pond, pursued up the bank, chased behind the wire netting, caught, screaming, in a corner, and carried struggling to his bed? Feed upon an idiot gosling that I have found in nine different coops on nine successive nights—in with the newly-hatched chicks, the half-grown pullets, the setting hen, the “invaleed goose,” the drake with the gapes, the old ducks in the pen?—Eat a gosling that I have caught and put in with his brothers and sisters (whom he never recognises) so frequently and regularly that I am familiar with every joint in his body?
Source: Gutenberg

Portrait of Kate Douglas Smith Wiggin Kate Douglas Smith Wiggin The Diary of a Goose Girl

Finally all are housed but two, the little white cock and the black pullet, who are still impish and of a wandering mind. Though headed off in every direction, they fly into the hedges and hide in the underbrush. We beat the hedge on the other side, but with no avail. We dive into the thicket of wild roses, sweetbrier, and thistles on our hands and knees, coming out with tangled hair, scratched noses, and no hens. Then, when all has been done that human ingenuity can suggest, Phœbe goes to her late supper and I do sentry-work.
Source: Gutenberg

Portrait of Kate Douglas Smith Wiggin Kate Douglas Smith Wiggin The Diary of a Goose Girl

The ducks swim round in circles, hide under the willows, and attempt to creep into the rat-holes in the banks, a stupidity so crass that it merits instant death, which it somehow always escapes. Then they come out in couples and waddle under the wrong fence into the lower meadow, fly madly under the tool-house, pitch blindly in with the sitting hens, and out again in short order, all the time quacking and squawking, honking and hissing like a bewildered orchestra.
Source: Gutenberg

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