Summary

Portrait of Kate Douglas Wiggin Kate Douglas Wiggin Ladies-in-Waiting — Huldah the Prophetess (1919)

The burden is fitted to the back as often as the back to the burden.
She frequently declared to herself afterwards that she should have had “a fit of sickness” if it had not been for the thunderstorm that came up on that never-to-be-forgotten Saturday afternoon. She had waked that morning with a dull pain in her heart—a dull pain that had grown keener when she looked from her attic window and saw the sun shining clear in the sky. Not a cloud sullied the surface of that fair blue canopy on this day of the faithless Pitt’s wedding-journey.
Source: Wikisource

Portrait of Kate Douglas Wiggin Kate Douglas Wiggin Ladies-in-Waiting — Huldah the Prophetess (1919)

Rumford would have been the last woman in the world to fly in the face of such unmistakable signs of death. It is even rumored that when she heard the crash of glass in the kitchen she murmured piously, “Now lettest Thou Thy servant depart in peace,” and expired within the hour.
Nineteen summers and winters had passed since Pitt Packard drove “her that was Jennie Perkins” to Portland on her wedding-trip. He had been a good and loyal husband; she had been a good and faithful wife; and never once in the nineteen years had they so much as touched the hem of the garment of happiness.
Source: Wikisource

Portrait of Kate Douglas Wiggin Kate Douglas Wiggin Ladies-in-Waiting — Huldah the Prophetess (1919)

Oh, how good, how sweet, how kind of it to rain and support her in what she had prophesied of Saturday weather!
All at once a healing thought popped into her head. “I shall not live many years,” she reflected—“not after losing Pitt, and having his mother crow over me, and that hateful Jennie Perkins, having the family hair wreath hanging over her sofa, and my wedding ring on her hand; but so long as I live I will keep account of rainy Saturdays, and find a way to send the record to Pitt every New Year’s Day just to prove that I was right.
Source: Wikisource

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