Kate Douglas Wiggin

Biographical details

Portrait of Kate Douglas Wiggin Kate Douglas Wiggin Penelope's Progress (1898)

We have traveled together before, Salemina, Francesca, and I, and we know the very worst there is to know about one another. After this point has been reached, it is as if a triangular marriage had taken place, and, with the honeymoon comfortably over, we slip along in thoroughly friendly fashion. I use no warmer word than "friendly" because, in the first place, the highest tides of feeling do not visit the coast of triangular alliances; and because, in the second place, "friendly" is a word capable of putting to the blush many a more passionate and endearing one.
Source: Wikisource

Portrait of Kate Douglas Wiggin Kate Douglas Wiggin Mother Carey's Chickens (1911)

It is difficult to do right, we repeat, but not when mother is away from us for the first time since we were born; not when she who is the very sun of home is shining elsewhere, and we are groping in the dim light without her, only remembering her last words and our last promises. Not difficult when we think of the eyes the color of the blue velvet bonnet, and the tears falling from them. They are hundreds of miles away, but we see them looking at us a dozen times a day and the last thing at night.
Source: Wikisource

Portrait of Kate Douglas Wiggin Kate Douglas Wiggin The Arabian Nights (1909)

Eyes had not beheld one more beautiful. Upon her was a garment of brilliant pearls, on her head was a crown of red gold, with a fillet of jewels, on her neck was a necklace of jewels in the middle of which were refulgent gems, and upon her forehead were two jewels the light of which was like that of the sun; and she seemed as though she were looking at the people, and observing them to the right and left. When the Emeer Moosa beheld this damsel, he wondered extremely at her loveliness, and was confounded by her beauty and the redness of her cheeks and the blackness of her hair.
Source: Wikisource

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