Summary

Portrait of L. T. Meade L. T. Meade In the Thick of the Fight — I.… (1896)

Oh! Hugh Raymond, how I hate you! why will you give me this nasty, this loathsome work to do—scandal, scandal? Rut the debts must be paid, and Matthew must not know; six months more and I shall be free. Where am I? I am not at the club, I am flying through space! Oh! I know now what has happened. Matthew Gray was the man—my husband, Matthew Gray—and it was a lie from beginning to end. But I wrote it—I, his own wife! Where am I? Oh! of course, I know now. Matthew and I are in the same train. How fast we are going; how queer my head feels. Why, surely no train ever bumped like this before—oh!
Source: Wikisource

Portrait of L. T. Meade L. T. Meade In the Thick of the Fight — I.… (1896)

Where am I? why does my head feel so queer? where am I flying to? I know; I am flying away from my sin. I have sinned past forgiveness; and against whom? Against my own husband, against Matthew! Oh! I am frightened! I wish I was not alone in the carriage. I wish I could hold someone's hand. Mrs. Musgrave said some thing awful to me a short time ago; she said—I remember her words—'the man whom you have injured is your own husband, Matthew Gray.' Yes, something snapped in my brain then. My own husband, my own Matthew; the one I love, reverence, esteem.
Source: Wikisource

Portrait of L. T. Meade L. T. Meade In the Thick of the Fight — I.… (1896)

He was not a man of much affection, but he had fallen passionately in love with Diana Harrington. When she married Matthew Gray, his love for her underwent a subtle change, it turned into active hatred of the man who had supplanted him. Hatred in such a nature as his quickly thinks of revenge, and on the night when Raymond arranged with Mrs. Gray to supply the woman's column of his paper, he also thought out a very subtle mode of action, which would make the wife his instrument for putting the husband to open ridicule, and if possible spoiling his career.
Source: Wikisource

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