L. de Hegermann-Lindencrone

Summary

L. de Hegermann-Lindencrone In the Courts of Memory, 1858-1875…

Rome flocks there to hear music and to admire the artistic manner in which the rooms are arranged; flirtations are rife in the twilit corners, in which the salon abounds. As Madame Minghetti is very musical and appreciative, all the people one meets there pretend to be musical and appreciative, and do not talk or flirt during the music; so when I sing "Medjé" in the growing crepuscule I feel in perfect sympathy with my audience. Tosti and I alternate at the piano when there is nothing better. If no one else enjoys us, we enjoy each other.
Source: Gutenberg

L. de Hegermann-Lindencrone In the Courts of Memory, 1858-1875…

It is a long drive from the Rue de Courcelles to the Tuileries, and it takes a long time, especially when the queue commences at the Place de la Concorde. I was almost dizzy as we advanced step by step, pulling up at every moment, rocking and swaying like a row-boat in a gentle swell, and when we got a chance to go faster the carriage rocked from side to side, all the fringe on the coachman's box waving about. The coachman was a study in himself, with his white wig and silk stockings, ensconced like a hen on her nest.
Source: Gutenberg

L. de Hegermann-Lindencrone In the Courts of Memory, 1858-1875…

Votre voix est délicieuse, le timbre que j'aime—mezzo-soprano, avec ces notes hautes et claires."
Auber came up flushed with delight at my success, and said to Rossini,
"Did I say too much about Madame Moulton's voice?"
"Not enough," replied Rossini. "She has more than voice; she has intelligence and le feu sacré—un rossignol doublé de velours; and more than all, she sings my music as I have written it. Every one likes to add a little of their own.
Source: Gutenberg

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