Summary

Portrait of Lafcadio Hearn Lafcadio Hearn Kwaidan: Stories and Studies of Strange Things

To read the very names in the table of contents is like listening to a Buddhist bell, struck somewhere far away. Some of his tales are of the long ago, and yet they seem to illumine the very souls and minds of the little men who are at this hour crowding the decks of Japan’s armored cruisers. But many of the stories are about women and children,—the lovely materials from which the best fairy tales of the world have been woven. They too are strange, these Japanese maidens and wives and keen-eyed, dark-haired girls and boys; they are like us and yet not like us
Source: Gutenberg

Portrait of Lafcadio Hearn Lafcadio Hearn Kwaidan: Stories and Studies of Strange Things

Those are the glimmering portals of Hōrai the blest; and those are the moony roofs of the Palace of the Dragon-King;—and the fashion of them (though limned by a Japanese brush of to-day) is the fashion of things Chinese, twenty-one hundred years ago...
Thus much is told of the place in the Chinese books of that time:—
In Hōrai there is neither death nor pain; and there is no winter. The flowers in that place never fade, and the fruits never fail; and if a man taste of those fruits even but once, he can never again feel thirst or hunger.
Source: Gutenberg

Portrait of Lafcadio Hearn Lafcadio Hearn Kwaidan: Stories and Studies of Strange Things (1904)

It is an atmosphere peculiar to the place ; and, because of it, the sunshine in Hōrai is whiter than any other sunshine, —a milky light that never dazzles, — astonishingly clear, but very soft. This atmosphere is not of our human period: it is enormously old, — so old that I feel afraid when I try to think how old it is;—and it is not a mixture of nitrogen and oxygen. It is not made of air at all, but of ghost, — the substance of quintillions of quintillions of generations of souls blended into one immense translucency, — souls of people who thought in ways never resembling our ways.
Source: Wikisource

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