Summary

Portrait of Yei Theodora Ozaki Yei Theodora Ozaki Warriors of Old Japan, and Other Stories

Yorimasa was a man of great courage and resource, and lost not a moment in getting ready. He strung his best bow most carefully and placed his quiver in two steel-headed arrows. He then put on his armour, and over his armour he donned a hunting-dress, and to look more courtly he put on a ceremonial cap instead of a helmet. He chose his favourite retainer, the bravest and strongest of all his soldiers, to accompany him. Yorimasa now set out as calmly and quietly as if he were simply going to his every-day duty and nothing more.
Source: Gutenberg

Portrait of Yei Theodora Ozaki Yei Theodora Ozaki Warriors of Old Japan, and Other Stories

But though I live and work like a farmer, in heart and soul I am still a samurai. Should war break out or even a call to arms be sounded, I shall be the first to go to Kamakura, wearing my armour, dilapidated and torn though it may be, carrying my halberd, rusty as it is, and riding my old horse, emaciated and unpresentable though he is, and I will do glorious deeds once more and die a knight's death. I never for one moment forget my ambition.
Source: Gutenberg

Portrait of Yei Theodora Ozaki Yei Theodora Ozaki Warriors of Old Japan, and Other Stories

The Japanese have a saying, "As different as the moon and the turtle," and what can be more utterly different from the Queen of Night, riding above the clouds in her own bewitching radiance and beauty, attended by innumerable stars, than the mud-burrowing turtle, who may sometimes be seen crawling out from his slime to dry his back in the sunshine? As Taro walked through the streets of the city of Kyoto, he thought of the old proverb, and he said to himself that the Lady Moon was Kyoto and the turtle his old-fashioned Shinano.
Source: Gutenberg

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