Captain F. Brinkley

Summary

Captain F. Brinkley Japan: Its History, Arts, and Literature (1902)

Hidden beneath a passion for everything graceful and refined, there is a strong yearning for the pageant of war and for the dash of deadly onset, and just as the Shōgun sought to display before the eyes of the citizens of his capital a charming picture of gentle peace, though its setting was a framework of vast military preparation, so the Japanese of every era has loved to turn from the fencing-school to the arbour, from the field of battle to the society of the rockery and the cascade, delighting in the perils and struggles of the one as much as he admires the grace and repose of the other.
Source: Wikisource

Captain F. Brinkley Japan: Its History, Arts, and Literature (1902 and 1910)

The blossom itself has no special excellence ; it is as cherry blossoms are everywhere. But by massing the trees in positions that lend themselves to a coup-d'œil, by arching them over long avenues beside broad rivers, and by setting them in a framework of exquisite scenery, there are produced glowing effects and harmonious contrasts which, enhanced by the opalescent atmosphere of a Japanese spring, are worthy of the passionate enthusiasm they arouse.
Source: Wikisource

Captain F. Brinkley Japan: Its History, Arts, and Literature (1902)

In every branch of Japanese aesthetics a multitude of conventions, evolved from infinitely painstaking study of nature's methods, and stamped with the cachet of great masters in bygone times, have passed into a revelation from which no one ventures to take away an alpha or an omega. Intelligent sympathy with the spirit that dictated these conventions cannot survive slavish obedience to their laws, and it may not be denied that some of these dwarfed trees and shrubs show the mechanics of the art without its genius.
Source: Wikisource

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