Larry Eisenberg

Larry Eisenberg

Summary

Portrait of Larry Eisenberg Larry Eisenberg The Fastest Draw (1963)

Amos Handworthy's eyes began to glow with a fire such as Manny Steinberg had never seen and it excited him that his work had brought on so wonderful a response. He slipped the new vest on Handworthy, handed him the wired holster and gun, and stepped back. After fastening his belt and readying himself, Handworthy drew as before and fired swiftly at the Marshal, who was firing back almost as rapidly. Suddenly Handworthy stopped and looked at his gun in dismay.
"My trigger's locked," he cried.
"He's killed you," said Manny drily. "You beat him to the draw, but he's hit you in the heart."
Source: Gutenberg

Portrait of Larry Eisenberg Larry Eisenberg The Fastest Draw (1963)

Manny followed after his host and found himself in a huge, high ceilinged room flanked on all four walls by reward posters, some as much as one hundred years old. There were no furnishings in the room, just a series of unusual pieces of furniture that proved on closer scrutiny to be automata of diverse types. In the center of the room was a great amorphous mass covered by an enormous sheet.
"I have no kin," said Handworthy, staring possessively about him. "I've never married so I have no children. But I'm a happy man nevertheless.
Source: Gutenberg

Portrait of Larry Eisenberg Larry Eisenberg The Fastest Draw (1963)

Still sucking on the lemon, Manny walked over and surveyed the glass enclosed music maker, four vertical violins arrayed in a circle with a hoop of horse hair spanning about the four violin bridges, electromagnet stops hovering above the strings. A dried out square of paper had been crudely taped across the glass with the clear inked inscription, "Out of Order." He had removed the back door of the machine and was examining the innards when he felt a proprietary hand on his shoulder and swivelled about to meet the questioning gaze of his boss, Amos Handworthy.
Source: Gutenberg

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