Letitia Elizabeth Landon

Letitia Elizabeth Landon

Summary

Portrait of Letitia Elizabeth Landon Letitia Elizabeth Landon An Evening at Lucy Ashton's (1832)

When she came to sixteen, the Count Ludolf thought it was a pity such beauty should be wasted, and therefore took possession of it: better that the lovely should pine in a castle than flourish in a cottage. Her mother died broken-hearted; and her father left the neighbourhood, with a curse on the disobedient girl who had brought desolation to his hearth, and shame to his old age. It needs little to tell that such a passion grew cold—it were a long tale that accounted for the fancies of a young, rich, and reckless cavalier; and, after all, nothing changes so soon as love.
Source: Wikisource

Portrait of Letitia Elizabeth Landon Letitia Elizabeth Landon An Evening at Lucy Ashton's (1832)

Well, well, he wearied, as men ever weary of woman's complaining, however bitter may be the injury which has wrung reproach from the unwilling lip. Many a sad hour did she spend weeping in the lonely tower, which had once seemed to her like a palace; for then the radiance of love was around it —and love, forsooth, is something like the fairies in our own land; for a time it can make all that is base and worthless seem most glittering and precious.
Source: Wikisource

Portrait of Letitia Elizabeth Landon Letitia Elizabeth Landon An Evening at Lucy Ashton's (1832)

We might judge her by ourselves; what care we for crime in which we are not involved, and for suffering in which we have no part?
"The red wine-cup was drained deep and long in Count Ludolf's castle that night; and soon after, its master travelled afar into other lands—there was not pleasure enough for him at home. He found that bright eyes could gladden even the ruins of Rome—but Venice became his chosen city. It was as if revelry delighted in the contrast which the dark robe, the gloomy canal, and the death-black gondola, offered to the orgies which made joyous her midnights."
Source: Wikisource

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