Letitia Elizabeth Landon

Letitia Elizabeth Landon

Summary

Portrait of Letitia Elizabeth Landon Letitia Elizabeth Landon The Indian Orphan (1836)

Edward was strikingly handsome; the head finely shaped as that of a Grecian statue, with its profusion of thick curls; the complexion beautiful as a girl's, but which the darkly arched eyebrows, the manly open countenance, redeemed from the charge of effeminacy, his eyes (the expression of "filled with light" was not a mere exaggeration when applied to them) ; and then the perfect unconsciousness, or, I should rather say, the utter neglect of his own beauty. He was destined for a soldier and for India; and perhaps there is no career in life whose commencement affords such scope for enthusiasm.
Source: Wikisource

Portrait of Letitia Elizabeth Landon Letitia Elizabeth Landon The Indian Orphan (1836)

Audley was to me as a mother, and Edward and I loved each other with all the deep luxury of love in youth. It was luxury, for it was unconscious. Love is not happiness: hopes, pleasure, delicious and passionate moments of rapture—all these belong in love, but not to happiness. Its season of enjoyment is when its existence is unknown, when fear has not agitated, hope has not expanded the flower it but opens to fade, and jealousy and disappointment are alike unfeared, unfelt. The heart is animated by a secret music.
Source: Wikisource

Portrait of Letitia Elizabeth Landon Letitia Elizabeth Landon The Indian Orphan (1836)

What is there that has not been said of the pleasure of meeting, yet who has ever said all that is felt—the flow of words and spirits, the occasional breaks of deep and passionate silence, the restlessness of utter happiness, the interest of the most trivial detail—and when on our pillow, the hurry of ideas, the delicious, though agitated throbbing of the heart. To sleep is impossible, but how delightful to lie awake! But my first look at Edward, the next morning, made my pillow sleepless again, and sleepless from anxiety.
Source: Wikisource

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