Summary

Portrait of Michel de Montaigne Michel de Montaigne The Essays of Montaigne — Chapter IV. Of Diversion… (1877)

I look upon death
carelessly when I look upon it universally as the end of life. I insult
over it in gross, but in detail it domineers over me: the tears of a
footman, the disposing of my clothes, the touch of a friendly hand, a
common consolation, discourages and softens me. So do the complaints in
tragedies agitate our souls with grief; and the regrets of Dido and
Ariadne, impassionate even those who believe them not in Virgil and
Catullus. 'Tis a symptom of an obstinate and obdurate nature to be
sensible of no emotion, as 'tis reported for a miracle of Polemon
Source: Wikisource

Portrait of Michel de Montaigne Michel de Montaigne The Essays of Montaigne — Chapter IV. Of Diversion… (1877)

How a cause? There needs none to agitate the mind;
a mere whimsy without body and without subject will rule and agitate it.
Let me thing of building castles in Spain, my imagination suggests to me
conveniences and pleasures with which my soul is really tickled and
pleased. How often do we torment our mind with anger or sorrow by such
shadows, and engage ourselves in fantastic passions that impair both soul
and body?
Source: Wikisource

Portrait of Michel de Montaigne Michel de Montaigne The Essays of Montaigne — Chapter IV. Of Diversion… (1877)

Is it reason that even the arts themselves should make an advantage of
our natural stupidity and weakness? An orator, says rhetoric in the
farce of his pleading, shall be moved with the sound of his own voice and
feigned emotions, and suffer himself to be imposed upon by the passion he
represents; he will imprint in himself a true and real grief, by means of
the part he plays, to transmit it to the judges, who are yet less
concerned than he: as they do who are hired at funerals to assist in the
ceremony of sorrow, who sell their tears and mourning by weight and
measure
Source: Wikisource

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