Ludwig Eduard Boltzmann

Summary

Ludwig Eduard Boltzmann 1911 Encyclopædia Britannica, Volume 18… (1911)

Here again it is perfectly clear that these models of wood, metal and cardboard are really a continuation and integration of our process of thought; for, according to the view in question, physical theory is merely a mental construction of mechanical models, the working of which we make plain to ourselves by the analogy of mechanisms we hold in our hands, and which have so much in common with natural phenomena as to help our comprehension of the latter.
Source: Wikisource

Ludwig Eduard Boltzmann 1911 Encyclopædia Britannica, Volume 18… (1911)

In foundries, the object of which a cast is to be taken, whether it be for engineering or artistic purposes, is usually first formed of some easily workable material, generally wood. The form of this model is then reproduced in clay or plaster, and into the mould thus obtained the molten metal is poured. The sculptor first makes a model of the object he wishes to chisel in some plastic material such as wax, ingenious and complicated contrivances being employed to transfer this wax model, true to nature, to the stone in which the final work is to be executed.
Source: Wikisource

Ludwig Eduard Boltzmann 1911 Encyclopædia Britannica, Volume 18… (1911)

On the other hand, the multiplicity of surfaces of the third order is enormous, and to convey their fundamental types it is necessary to employ numerous models of complicated, not to say hazardous, construction. In the case of more intricate surfaces it is sufficient to present those singularities which exhibit variation from the usual type of surface with synclastic or anticlastic curvatures, such as, for example, a sharp edge or point, or an intersection of the surface with itself; the elucidation of such singularities is of fundamental importance in modern mathematics.
Source: Wikisource

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