Mae Van Norman Long

Summary

Mae Van Norman Long The wonder woman (1917)

Wanza in her bright sweater, with her tawny hair, and the carmine in her cheek flitted in and out of the wood paths like a forest dryad, exclaiming at every frost-touched leaf, and reveling in the painted glory about us.
“But the birds are gone,” she said, a tear in her tones, as we looked into an empty king-bird’s nest one day. “I love the king-birds—they’re sleek dandies—that’s what they are! Oh, Mr. Dale, what a heartache an empty nest gives me! The dear little birds are gone—”
“And Joey is not here,” I ended sadly.
Source: Gutenberg

Mae Van Norman Long The wonder woman (1917)

The love of a man for a small boy is composed of various ingredients, it has spice in it, and tenderness, and pride, and hope, and fellowship—and a lilt of melody goes through it that lightens the most rigid days of discipline. So when the small boy goes out of the home, the man is bereft of joy and inspiration and companionship. At first I went daily to Hidden Lake, and Joey came daily to Cedar Dale. But one day when Joey was begging me to make him a bow-gun I surprised a wistful gleam in Haidee’s soft eyes. She drew the lad into her arms.
Source: Gutenberg

Mae Van Norman Long The wonder woman (1917)

And I went with Wanza through the woods on many a trillium hunt.
Sometimes almost to breathlessness I felt Wanza’s charm, the galvanism she could always transmit to those with her intensified by some new strange quality I could not name. It was like a fillip given my dispassion. When she laughed and chirped to the squirrels, when she carried a wounded bird in her breast, when she stood on tip-toe, her face like a taper-flame, to greet the whole outdoors with wide-flung arms, I caught my lip between my teeth and watched her with observant eyes. Her beauty grew. Even Father O’Shan remarked it.
Source: Gutenberg

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