Summary

Portrait of Margaret Pedler Margaret Pedler The Moon Out of Reach (Ainslee's serial… (1922)

She was wearing the frock which had called forth Lady Gertrude's ire, and from its filmy folds her head and shoulders emerged like a flower from its sheath, vividly arresting; her scarlet lips and “blue-violet” eyes splashes of live color against the warm, golden ivory of her skin—Nan at her most distracting; now sparkling with an almost feverish vivacity, now drooping into sudden silence.
But now, now that the need for playing a part was over, and she stood waiting for Mallory's return, something tragic and desperate looked out of her eyes. She paced the room restlessly.
Source: Wikisource

Portrait of Margaret Pedler Margaret Pedler The Moon Out of Reach (Ainslee's serial… (1922)

Penelope Craig was always conscious of a sense of foreboding when she thought of Nan Davenant with whom she lived in London and whose brilliant future as a pianist was of more absorbing interest to her than her own career as a singer—for Nan was a gifted musician. She was afraid, too, of the effect of a recent, unfortunate love affair on a girl of Nan's temperament. Maryon Rooke, a rising young artist, had won Nan's love, but while he cared for her, he frankly admitted that art came first with him—and love a poor second.
Source: Wikisource

Portrait of Margaret Pedler Margaret Pedler The Moon Out of Reach (Ainslee's serial… (1922)

Her pledge to Roger, her uncle's faith in her—all these must be tossed into the fire to make her gift complete. But the agony in Peter's face when the mask had fallen from it had temporarily destroyed for her all values except the value of love.
“I should never take you, dear,” he said at last, with great tenderness. “A man doesn't hurt the thing he loves, not in his right senses. What he'll do when the madness is on him—only his own soul knows.”
Source: Wikisource

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