Summary

Portrait of Margaret Pedler Margaret Pedler The Moon Out of Reach (Ainslee's serial… (1922)

Nan played softly, humming the melody in her wistful little pipe of a voice. It had an appealing quality, the heart-touching quality of the mezzo-soprano, while through the music ran the same unsatisfied cry as in her setting of the old Tentmaker's passionate words, a terrible demand for those things which life sometimes withholds.
As she ceased playing Maryon Rooke spoke musingly.
“It's a queer world,” he said. “What a man warts he can't have. He sees the good gifts and may not take them. Or, if he takes the one he wants the most, he loses all the rest.
Source: Wikisource

Portrait of Margaret Pedler Margaret Pedler The Moon Out of Reach (Ainslee's serial… (1922)

Though I loved her, I couldn't make her happy.”
“I should have thought you would have made her happy, if any man could,” said Penelope gently.
“My dear, it's given to very few men to make a woman of temperament happy. And Nan is so like my dear, dead Annabel that, if for no other reason, I should always wish to give her what happiness I can. Unfortunately money won't buy happiness. But it makes possible the harmony of material environment which means a great deal to Nan.”
Source: Wikisource

Portrait of Margaret Pedler Margaret Pedler The Moon Out of Reach (Ainslee's serial… (1922)

Nan's face whitened.
“You're rather an uncanny person,” she said at last. “You understand too much.”
“'Tout comprendre—c'est tout pardonner,'” quoted Mallory gently.
“And do I need pardon?” she asked.
“Yes,” he answered simply. “You're not the woman God meant you to be. You're too critical, too cold, without passion.”
“And I a musician?” she asked incredulously.
“Oh, it's in your music right enough! The artist in you has it. But the woman—so far, no. You're far too introspective to surrender blindly. Artist, analyst, critic first—only woman when those other three are satisfied.”
Source: Wikisource

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