Honoré de Balzac

Honoré de Balzac

Sarrasine (1831)

Summary

Portrait of Honoré de Balzac Honoré de Balzac Sarrasine (1831)

A maiden inexperienced in love and easily moved by words may allow herself to be seduced; but in dealing with women of this sort, a man must be able, like M. de Jaucourt, to refrain from crying out when, in hiding him in a closet, the lady's maid crushes two of his fingers in the crack of a door. To love one of these omnipotent sirens is to stake one's life, is it not? And that, perhaps, is why we love them so passionately! Such was the Comtesse de Lanty.
Filippo, Marianina's brother, inherited, as did his sister, the Countess' marvelous beauty.
Source: Wikisource

Portrait of Honoré de Balzac Honoré de Balzac Sarrasine

We saw the youthful Marianina enter the boudoir, even more resplendent by reason of her grace and her fresh costume; she was walking slowly and leading with motherly care, with a daughter’s solicitude, the spectre in human attire, who had driven us from the music-room; as she led him, she watched with some anxiety the slow movement of his feeble feet. They walked painfully across the boudoir to a door hidden in the hangings. Marianina knocked softly. Instantly a tall, thin man, a sort of familiar spirit, appeared as if by magic.
Source: Gutenberg

Portrait of Honoré de Balzac Honoré de Balzac Sarrasine

Modest, sweet, well-informed, and clever, none could eclipse Marianina unless it was her mother.
Have you ever met one of those women whose startling beauty defies the assaults of time, and who seem at thirty-six more desirable than they could have been fifteen years earlier? Their faces are impassioned souls; they fairly sparkle; each feature gleams with intelligence; each possesses a brilliancy of its own, especially in the light. Their captivating eyes attract or repel, speak or are silent; their gait is artlessly seductive
Source: Gutenberg

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