Marie Belloc Lowndes

Marie Belloc Lowndes

Summary

Portrait of Marie Belloc Lowndes Marie Belloc Lowndes "And Love Is Still the Lord of All… (1927)

For one thing, it always hurt her to see anyone in trouble, and she felt that the man and girl she had surprised on that lonely stretch of downland were indeed in deep trouble.
And yet there are people who declare confidently that romance is dead—that the modern girl has "no use" for love! The Duchess told herself that even if fashion affects and governs the manifestations of passion, the fundamental realities of life remain as they were, and love, when all is said and done, is still the lord of all as in the days of the old ballad.
Source: Wikisource

Portrait of Marie Belloc Lowndes Marie Belloc Lowndes "And Love Is Still the Lord of All… (1927)

The Duchess stayed her steps, and together they looked up at and through the high stone arch. Glancing nervously at her companion, the older woman saw, relieved, that the sight of the arch awoke no memory. Was it conceivable that, by one of those coincidences that occur only in real life, the girl she had seen sobbing in a man's arms on just the other side of this arch was and would ever remain a stranger who, by some odd chance, had possessed the same individual and really peculiar sports-frock as her present companion?
Source: Wikisource

Portrait of Marie Belloc Lowndes Marie Belloc Lowndes "And Love Is Still the Lord of All… (1927)

The skirt, of a bold grey and brown check, was bordered with a band of turquoise blue, while the plain brown jumper moulding the slender figure had a grey collar, on which were cunningly worked in touches of the same blue which edged the skirt. Suddenly the Duchess put up her hand with an instinctive gesture over her face. But that gesture did not shut out the vision which had so suddenly sprung into life; the vision of a man clasping in his arms a tall, slight figure who was clad in the twin to the sports-frock, now worn by the girl bending over the gleaming jewels.
Source: Wikisource

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