Marie Belloc Lowndes

Marie Belloc Lowndes

Summary

Portrait of Marie Belloc Lowndes Marie Belloc Lowndes The House of Peril (Ainslee's, 1911… (1911)

It was a sad pity that in this matter the friend for whom she was now waiting—that is, Anna Olsen—was not as wise and sensible as herself. Mabel Blackett had an affectionate, happy nature, and as she waited for Madame Olsen her thoughts dwelt on her, not unkindly, only a little critically, as our thoughts are apt to dwell on those of our friends of whose conduct we do not particularly approve, especially if it be conduct that we ourselves would never be tempted to emulate.
Source: Wikisource

Portrait of Marie Belloc Lowndes Marie Belloc Lowndes The House of Peril (Ainslee's, 1911… (1911)

The vast majority of American visitors to Paris remain quite unaware that there is, within half an hour of the French capital, such a spot as gay Enghien; the minority, those tourists who do make their way to the alluring little place, generally live to regret that they have done so.
But in this, as in so very many other things, Mabel Blackett was the fortunate exception which proves the rule. Enghien had developed in her a most unexpected taste—that of play.
Source: Wikisource

Portrait of Marie Belloc Lowndes Marie Belloc Lowndes The House of Peril (Ainslee's, 1911… (1911)

Monsieur and Madame Wachner were a kindly, middle-aged couple with whom the two young widows had quickly struck up a kind of intimacy, and whom they now met almost daily. Both husband and wife spoke English well, and had apparently traveled a great deal in English-speaking countries. They were not French, as Mabel Blackett had at first supposed them to be, and, when she had once asked Madame Wachner if she was German, the older woman had shaken her head and answered: “We are citizens of the world. Cosmopolites!” Anna Olsen believed them to be Servians.
Source: Wikisource

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