Marie Belloc Lowndes,
The House of Peril (Ainslee's, 1911…
(1911)
“ And then her mind traveled far, to a picture with which she had been familiar for a long time, for it hung in the drawing-room of one of her friends at Dallington. It was called “The Gambler's Wife.” She had always thought it a very pretty and pathetic picture, but she no longer thought it so; in fact, it now appeared to her to be a ridiculous travesty of life. Gamblers were just like other people, neither better nor worse—and often infinitely more lovable than were some other people. Mabel Blackett got up, and slowly made her way out of the wood. ”
