Marie Belloc Lowndes

Marie Belloc Lowndes

Summary

Portrait of Marie Belloc Lowndes Marie Belloc Lowndes The House of Peril (Ainslee's, 1911… (1911)

Mabel Blackett, wearing a pinkish mauve cotton gown and her large black tulle hat, looked enchantingly pretty. True, the count's critical French eyes objected to the alliance of the cotton frock and the beautiful string of pearls, but he was fast approaching the state of mind when a man of fastidious taste forgives even a lack of taste in the woman to whom he is acting as philosopher and friend.
Source: Wikisource

Portrait of Marie Belloc Lowndes Marie Belloc Lowndes The House of Peril (Ainslee's, 1911… (1911)

Outwardly the Danish lady's mysterious disappearance had been a ripple, and only a ripple, on the pleasant, lazy, agreeable life they were all leading. In fact, no one seemed to remember Anna Olsen excepting Mabel Blackett herself, and that kindly couple, Madame Wachner and her silent husband. As the days slipped by, the Wachners had grown more and more anxious, and each time Mabel saw them, and she met them daily, either the husband or the wife would ask her eagerly and sympathetically: “Has Madame Olsen returned?” or “Have you had news of Anna Olsen?”
Source: Wikisource

Portrait of Marie Belloc Lowndes Marie Belloc Lowndes The House of Peril (Ainslee's, 1911… (1911)

Though he seemed as if he hadn't a care in the world, save the pleasant care to enjoy the present, life was looking very gray just then to Paul De Poupel.
To a Parisian, Paris in August is a depressing place, and his sister, who had journeyed all the way from Brittany to see him, had received him with that touch of painful affection which the kindly and the prosperous so often bestow on those whom they feel to be at once beloved and prodigal.
Source: Wikisource

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