Summary

Portrait of E. F. Benson E. F. Benson The Countess of Lowndes Square and Other Stories… (1920)

But suddenly, and for the first time in their dual and prosperous career as feuilleton writers, Philip found himself finding a certain want of actuality in Phœbe's imaginings. They lacked the bite of such realism as he had found illustrated in the poignancy of his own search for the discarded razor-blade in the herbaceous border. There was emotion, real human emotion, though only concerned with the paws of a cat and a razor, whereas Eva's taper fingers on the tiller of this remarkable craft seemed to want the solidity of mortal experience.
Source: Wikisource

Portrait of E. F. Benson E. F. Benson The Countess of Lowndes Square and Other Stories… (1920)

Every morning, directly after breakfast, Philip sat in the dining-room, and until one o'clock proceeded to turn into narrative the very complete and articulated skeleton of the tale which Phœbe manufactured in the drawing-room. The imaginative gift was hers; there was not a situation in the world which she could not contemplate unwinking, like an eagle staring into the sun, and these she passed on to her husband, whose power of putting them into narrative was as unrivalled as his wife's in conceiving them.
Source: Wikisource

Portrait of E. F. Benson E. F. Benson The Countess of Lowndes Square and Other Stories… (1920)

It is impossible to figure a happier or a more harmonious existence. In imagination they roamed over the entire world without the expense or inconvenience of foreign travel: their spirits ranged through the whole gamut of human emotion, and whatever adversities the Algernon and Eva of the moment went through, their creators and interpreters knew in their heart of hearts that all was going to end well, for otherwise they would speedily have lost their pinnacled eminence as writers of serial stories in the daily press.
Source: Wikisource

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