Summary

Portrait of Marie Corelli Marie Corelli Ardath: The Story of a Dead Self

Nature, who in her tender wisdom and maternal solicitude will not permit us to suffer beyond a certain limit. Excessive pain, whether it be physical or mental, cannot last long,—and human anguish wound up to its utmost quivering-pitch finds at the very height of desolation, a strange hushing, Lethean calm. Even so it was with Theos Alwyn,—drowned in the deep stillness of a merciful swoon, he had sunk, as it were, out of life,—far out of the furthest reach or sense of time, in some vast unsounded gulf of shadows where earth and heaven were alike forgotten!
Source: Gutenberg

Portrait of Marie Corelli Marie Corelli Ardath: The Story of a Dead Self

Come,—let us in to supper,—the hour grows late, and my heart aches with an unsought heaviness,—I must cheer me with a cup of wine, or my songs to-night will sadden rather than rouse the King. Come,—and thou shalt speak to me again of the life that is to be lived hereafter,"—and he smiled with certain pathos in his smile,—"for there are times, believe me, when in spite of all my fame and the sweetness of existence, I weary of earth's days and nights, and find them far too brief and mean to satisfy my longings. Not the world,—but worlds—should be the Poet's heritage."
Source: Gutenberg

Portrait of Marie Corelli Marie Corelli Ardath: The Story of a Dead Self

Forgotten Sah-luma? Impossible!" and her silvery laughter shook the air into little throbs of music. "When the greatest poet of the age is forgotten, then fall Al-Kyris! ... for there shall be no more need of kingdoms!"
Laughing still and allowing her hand to remain in his, she passed out of the pavilion, and Theos followed them both as a man might follow the beckoning sylphs in a fairy dream.
A mellow, luminous, witch-like radiance seemed to surround them as they went—two dazzling figures gliding on before him with the slow, light grace of moonbeams flitting over a smooth ocean.
Source: Gutenberg

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