Summary

Portrait of Mark Twain Mark Twain,  Life on the Mississippi — Chapter 41 (1883)

“ The city is well outfitted with progressive men--thinking, sagacious, long-headed men. The contrast between the spirit of the city and the city's architecture is like the contrast between waking and sleep. Apparently there is a 'boom' in everything but that one dead feature. The water in the gutters used to be stagnant and slimy, and a potent disease-breeder; but the gutters are flushed now, two or three times a day, by powerful machinery; in many of the gutters the water never stands still, but has a steady current. ”
Source: Wikisource

Portrait of Mark Twain Mark Twain,  Life on the Mississippi — Chapter 41 (1883)

“ Not that there is any 'architecture' in Canal Street: to speak in broad, general terms, there is no architecture in New Orleans, except in the cemeteries. It seems a strange thing to say of a wealthy, far-seeing, and energetic city of a quarter of a million inhabitants, but it is true. There is a huge granite U.S. Custom-house--costly enough, genuine enough, but as a decoration it is inferior to a gasometer. It looks like a state prison. But it was built before the war. Architecture in America may be said to have been born since the war. ”
Source: Wikisource

Portrait of Mark Twain Mark Twain,  Life on the Mississippi — Chapter 41 (1883)

“ When one goes flying through London along a railway propped in the air on tall arches, he may inspect miles of upper bedrooms through the open windows, but the lower half of the houses is under his level and out of sight. Similarly, in high-river stage, in the New Orleans region, the water is up to the top of the enclosing levee-rim, the flat country behind it lies low--representing the bottom of a dish--and as the boat swims along, high on the flood, one looks down upon the houses and into the upper windows. ”
Source: Wikisource

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