Summary

Portrait of Mark Twain Mark Twain Sketches New and Old, Part 1

Never you not have seen frog as modest, as natural, sweet as she was. And when he himself agitated to jump purely and simply upon plain earth, she does more ground in one jump than any beast of his species than you can know. To jump plain-this was his strong. When he himself agitated for that, Smiley multiplied the bets upon her as long as there to him remained a red. It must to know, Smiley was monstrously proud of his frog, and he of it was right, for some men who were traveled, who had all seen, said that they to him would be injurious to him compare, to another frog.
Source: Gutenberg

Portrait of Mark Twain Mark Twain Sketches New and Old, Part 1

Appropriating, in your simplicity, the property of others has gotten you into trouble. Misrepresenting facts, in your simple innocence, has damaged your reputation with the soulless usurper. Trading for forty-rod whisky, to enable you to get drunk and happy and tomahawk your families, has played the everlasting mischief with the picturesque pomp of your dress, and here you are, in the broad light of the nineteenth century, gotten up like the ragtag and bobtail of the purlieus of New York.
Source: Gutenberg

Portrait of Mark Twain Mark Twain Sketches New and Old, Part 1

On the Canada side you drive along the chasm between long ranks of photographers standing guard behind their cameras, ready to make an ostentatious frontispiece of you and your decaying ambulance, and your solemn crate with a hide on it, which you are expected to regard in the light of a horse, and a diminished and unimportant background of sublime Niagara; and a great many people have the incredible effrontery or the native depravity to aid and abet this sort of crime.
Source: Gutenberg

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