Summary

Martin Birnbaum Catalogue of an exhibition of water-colour drawings and other original works by Edmund Dulac with… (1916)

In each painting he magically develops what appears superficially to be a new style, peculiarly appropriate to the nationality of the particular story, but ever remaining Dulac's own. It would be too much to expect to find him guiltless of the charge of borrowing, but the critics who are not satisfied unless they are tracing influences, will be faced here by a novel problem. Surely no other artist has, within the limits of a single volume, exhausted not only the hues of the rainbow, but so many regions of the earth.
Source: Wikisource

Martin Birnbaum Catalogue of an exhibition of water-colour drawings and other original works by Edmund Dulac with… (1916)

The properties devised by Dulac are so simple that the actors can bring them in a single cab, and perform during their leisure hours in any drawing room. Mr. Yeats, in his still unpublished preface, tells us what a stirring adventure it would be "for a poet and an artist working together, to create once more heroic or grotesque types, that keeping always an appropriate distance from life, would seem images of those profound emotions that exist only in solitude and in silence."
Source: Wikisource

Martin Birnbaum Catalogue of an exhibition of water-colour drawings and other original works by Edmund Dulac with… (1916)

Like most of the students he was obliged to earn his living, and he began his professional career as an artist by making covers and magazine illustrations. England was the most lucrative field for such work, and Dulac drifted to London where in 1907 a group of his water colour drawings were used to illustrate the Arabian Nights. The instantaneous success of this book led to further orders, and ever since he has been delighting us each year with a new sheaf of works, remarkable for their beauty of composition, delicacy of clear, limpid colour, and conciseness of drawing.
Source: Wikisource

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