Mary E. Wilkins Freeman

Mary E. Wilkins Freeman

Summary

Portrait of Mary E. Wilkins Freeman Mary E. Wilkins Freeman Little Lucy Rose (1912)

She was a small, daintily clad child, and she spoke and moved daintily and softly; and when her blue eyes were fixed upon anybody's face, that person straightway saw love and obedience and trust in them, and love met love half-way. Even Miss Martha Rose looked another woman when Lucy's little innocent blue eyes were fixed upon her rather handsome but colorless face between the folds of her silvery hair; Miss Martha's hair had turned prematurely gray. Light would come into Martha Rose's face, light and animation, although she never talked much even to Lucy.
Source: Wikisource

Portrait of Mary E. Wilkins Freeman Mary E. Wilkins Freeman Little Lucy Rose (1912)

No, Martha; it is a woman's place to do such a thing as that. The whole thing is too absurd, indignant as I am about it. Poor little soul!”
So it happened that Miss Martha Rose, the next day being Saturday, called on Madame, but not being asked any leading question, found herself absolutely unable to deliver herself of her errand, and went away with it unfulfilled.
“Well, I must say,” said Madame to Miss Parmalee, as Miss Martha tripped wearily down the front walk—“I must say, of all the educated women who have really been in the world, she is the strangest.
Source: Wikisource

Portrait of Mary E. Wilkins Freeman Mary E. Wilkins Freeman Little Lucy Rose (1912)

Miss Parmalee and Miss Acton agreed with Madame, and so did every body else. Lily Jennings's beauty was quite eclipsed by little Lucy, but Lily did not care; she was herself one of little Lucy's most fervent admirers. She was really Jim Paterson's most formidable rival in the school. “You don't care about great, horrid boys, do you, dear?” Lily said to Lucy, entirely within hearing of Jim and Lee Westminster and Johnny Trumbull and Arnold Carruth and Bubby Harvey and Frank Ellis, and a number of others who glowered at her.
Source: Wikisource

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