Summary

Portrait of Mary Gaunt Mary Gaunt The Moving Finger — Christmas Eve at Warwingie (1895)

The room was wrapped in gloom, and Bessie mechanically watched her stepmother draw down the blinds and light a couple of candles on the table, which, while they illuminated the circle of bushrangers, only threw into deeper darkness the corners of the room.
"You will go, dear," muttered Hollis, "if only for the sake of that plucky woman."
"I will do what you tell me," she whispered. "I can't bear to leave you, Tom; if they should find out they will kill you. Oh, Tom, Tom!"
Source: Wikisource

Portrait of Mary Gaunt Mary Gaunt The Moving Finger — Christmas Eve at Warwingie (1895)

Hollis leaned up against the wall, stunned for a moment, for the bullet had smashed one of the bones of his wrist, and torn a gaping wound from which the blood was trickling down his fingers on to the carpet, but with the armed bushranger in front of him he realized the utter hopelessness of his position. Help himself he could not, but he never thought of himself, he never thought even of the other helpless women and children; his heart had only room for one thought—Bessie, pretty dainty Bessie, the belle of the country side.
Source: Wikisource

Portrait of Mary Gaunt Mary Gaunt The Moving Finger — Christmas Eve at Warwingie (1895)

There was a blaze of light from the Miners' Arms—the tumbledown shanty, half of bark and half of canvas, where the diggers assembled every night—and a crowd of men were at the door lustily shouting the chorus of a sea-song. Here was help in plenty, but she dared not trust them, and galloped on across the creek, dry now in the middle of summer, and up the hill again towards the tents of the police camp, which gleamed white against the dark hillside.
Source: Wikisource

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