Mary Grant Bruce

Mary Grant Bruce

Summary

Portrait of Mary Grant Bruce Mary Grant Bruce The Tower Rooms (1926)

The sky grew more and more overcast, and the air warmer, with little puffs of hot wind now and then. Had I been less centred on getting to Southport and seeing the last of my passenger, I might have been anxious about the weather; but I could only think of the blessed certainty that soon he would be gone, and hug myself with joy when I remembered the news I should have in the morning for Mrs. McNab. Judy’s hand was light on the tiller: Jack crouched over the engine, a queer, gnome-like figure, in the shadow.
Source: Gutenberg

Portrait of Mary Grant Bruce Mary Grant Bruce The Tower Rooms (1926)

Get into the boat; I’ll be back in a few minutes.” He ran back, and I went down to the shore, where Judy and Jack waited in a solemn silence. But the launch seemed to quiver with their ecstasy!
We carried no light as yet—the moon gave us sufficient to steer by, though clouds hid it now and then. I was glad that a bank had drifted across its broad face just as Ronald Hull came down, in a long mackintosh, with a soft hat pulled over his eyes. He took his place on the bow, and we edged away for the last time from Shepherd’s Island.
Source: Gutenberg

Portrait of Mary Grant Bruce Mary Grant Bruce The Tower Rooms (1926)

I was about to retrace my steps, to look for an easier path to the beach, when a low giggle fell upon my ears, and looking closely, I saw Judy and Jack crouched behind a boulder below me. They had not heard me; that was clear: all their attention was focused on something beyond them. As I watched, a tall figure came from the shadow of the boat-house. I heard the scratch of a match being struck, and saw the glow as the new-comer lit a cigarette. Then the figure strolled slowly across the moonlit sand by the water, and I saw, with a start of astonishment, that it was Mrs. McNab.
Source: Gutenberg

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