Mary Grant Bruce

Mary Grant Bruce

Summary

Portrait of Mary Grant Bruce Mary Grant Bruce Back to Billabong

Save for a few comfortable arm-chairs, there was nothing solid and heavy in the house; but it was all pleasant and home-like, and the little rooms, bright with books and pictures and flowers, had about them the touch of welcome and restfulness that makes the difference between a home and a mere house. The kitchen was Tommy's especial pride—it was cool and spotless, with fresh-painted walls and ceilings, and shining white tiles round the white sink—over which Wally's draining-rack sat in glory. Dazzling tin-ware decorated the walls, and the dresser held fresh and pretty china.
Source: Gutenberg

Portrait of Mary Grant Bruce Mary Grant Bruce Back to Billabong

Norah fanned herself with a bunch of gum leaves, and cast an anxious look at Tommy.
It was breathlessly hot. Not a hint of air stirred among the trees or moved the long dry grass that covered the paddock—now showing many depressions, where tired people or horses had lain down to rest. The horses stood about, drooping their heads, and swishing their tails ceaselessly at the tormenting flies; men and women sought every available patch of shade, while dogs stretched themselves under the buggies, panting, with lolling tongues. Children alone ran about, as though nothing could mar their enjoyment
Source: Gutenberg

Portrait of Mary Grant Bruce Mary Grant Bruce Back to Billabong

And then, like a star at first, the Point Lonsdale light twinkled out of the darkness, and a low murmur ran round the decks—a murmur without words, since it came from men whose only fashion of meeting any emotion is with a joke; and even for a “digger” there is no joke ready on the lips, but only a catch at the heart, at the first glimpse of home.
Norah Linton had tucked herself away behind a boat on the hurricane deck, and there Cecilia Rainham found her just after dusk.
Source: Gutenberg

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