Mary Heaton Vorse

Mary Heaton Vorse

Summary

Portrait of Mary Heaton Vorse Mary Heaton Vorse Other Folks' Harbors (1918)

One admires and admires the dignity, the quiet, the beauty, and then a sadness comes over one's spirit. Is there too much gentility here? When whale-oil and not flowers perfumed the air and Nantucket was young and lusty, was she so conscious? Underneath her brave front I think she knows she does not earn her own living any more and that alien summer people keep her alive. Two thousand people, so they say, live here in winter, and thirteen thousand in summer. The summer people cherish her tenderly—no profaning emigrants swarm through the wide houses of the old whaling captains.
Source: Wikisource

Portrait of Mary Heaton Vorse Mary Heaton Vorse Other Folks' Harbors (1918)

She led so lonely a life apart by herself that she seemed, big as she was, almost to partake of invisibility.
Each fishing-place has its own smell—fish for Provincetown, clams for Nantucket and Edgartown, and New Bedford is still redolent of whale-oil. The docks and the yards behind the piers are piled high with barrels full of "ile," each one with the initials of its vessel, while in the cavernous shops of neighboring streets goes on an eternal cask-making and coopering.
Source: Wikisource

Portrait of Mary Heaton Vorse Mary Heaton Vorse Other Folks' Harbors (1918)

A BRAVA MAID OF NEW BEDFORD The sun climbed up among the architectural high clouds and we passed the desolate sandspit which marks the entrance to the Cape Cod Canal—where the hull of a vessel, like the vertebrae of some sea monster, lies bleaching. I fancy all the canals, from our hyphen to the Panama, smell offensively of engineering, and though time may soften the newness of their edges, they never can fail to give a sense of their self-importance.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature