Mary Heaton Vorse

Mary Heaton Vorse

Summary

Portrait of Mary Heaton Vorse Mary Heaton Vorse The Box-Stall (1919)

Ricky didn't reply. He wanted to scream at his father, who stood there so complacent.
"Morbid? Morbid? Of course I'm morbid! Life's morbid! You live in a box-stall for four years and think and think about the fellows out there being shot—dying, fellows like you-and you penned up with a lot of prisoners until your thoughts drip blood. Life's been normal, hasn't it? Life's been calm!" If he could only make any one understand even for a minute. Then that desire passed like a warm tide of life, and the stale annoyance of Ruhleben enveloped him.
Source: Wikisource

Portrait of Mary Heaton Vorse Mary Heaton Vorse The Box-Stall (1919)

The terrible patience of men-that fidelity to trivial occupation with which they fought to keep their sanity and self-respect.
"Go on and tell me about it, Ricky," she urged, "if you feel like it, I mean."
How can you tell people about fighting for self-respect and for sanity? That's what life had resolved itself into. Forever all the life's mean details gnawing at the foundations of your self-respect—dirt and inaction and brutality and promiscuity of life. All the enemies of dignity massed together to assail the frail spirit of man-and she asked him to tell her about it!
Source: Wikisource

Portrait of Mary Heaton Vorse Mary Heaton Vorse The Box-Stall (1919)

He could hardly talk to Hummer—he had failed miserably with Dorothy—and these handsome, ruddy, purposeful girls—the box-stall cut him off from even casual speech with them.
Ricky walked down Piccadilly past the Circus, moving without volition, as though borne on the bosom of the crowd. He got to Charing Cross and stood for a while watching all the wilful youth of the Empire flow past him. The air seemed filled with their laughter. All the sons of England went streaming past London's gray and ancient magnificence. It was darker than Ricky remembered it, and more splendid.
Source: Wikisource

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