Mary Imlay Taylor

Mary Imlay Taylor

Summary

Portrait of Mary Imlay Taylor Mary Imlay Taylor The cardinal's musketeer (1900)

He who trusted no man, and knew and manipulated hundreds, had only a deep suspicion and disdain for the sycophants who fawned upon his feet at one hour and were ready to cut his throat the next. The great cardinal,—the Huguenot cardinal as he has been called, because he was great enough to be at once liberal and far-sighted,—who loved France as he also loved power, knew the men with whom he had to deal.
He came so slowly down the gallery that it seemed a long time to Péron before those dark eyes lighted upon him; but no sooner did the cardinal see his musketeer than he beckoned to him.
Source: Gutenberg

Portrait of Mary Imlay Taylor Mary Imlay Taylor The cardinal's musketeer (1900)

A long, sad vista opened before Père Antoine’s mental vision; the questions of love, duty, necessity, beset him. He was a wise man as well as a good one, but sometimes a child may confound a sage. He loved Péron too, with the tenderness of a woman, and he felt that with him lay the chief responsibility, since he was the most intelligent as well as the most deeply concerned of his guardians. After an instant’s pause, a pause so slight that the eager interrogator scarcely noted it, the priest answered him in his usual calm tone.
Source: Gutenberg

Portrait of Mary Imlay Taylor Mary Imlay Taylor The cardinal's musketeer (1900)

Péron smiled involuntarily. Her small figure seemed to him no more than a feather in his way, but his chivalry was a mountain, and she was quick to divine it, though his smile made her furious.
“I am sorry, mademoiselle,” he replied quietly. “My orders are to search this house, and I shall execute them.”
“If you dare to do so,” she retorted passionately, “M. de Nançay will have you sent to the Châtelet! Ay, sir, do you think we will endure such insolence? Hark! there is an uproar at the door; ’tis time that some one came to protect women from such intrusion.”
Source: Gutenberg

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