Summary

Mary Newton Stanard The Dreamer: A Romantic Rendering of the Life-Story of Edgar Allan Poe

The golden days ran into golden weeks and the weeks into months, and still Edgar Poe was making holiday in Richmond—the first holiday he had had since, as a youth of seventeen he had quarrelled with John Allan and gone forth to the battle of life. In the long, long battle since then there had been more of joy than they knew who looking on had seen the toil and the defeat and the despair, but from whose eyes the exaltation he had felt in the act of creation or in the contemplation of the works of nature, and the happiness he found in his frugal home, were hidden.
Source: Gutenberg

Mary Newton Stanard The Dreamer: A Romantic Rendering of the Life-Story of Edgar Allan Poe

For the hours of thy happiness are over, and joy is not gathered twice in a lifetime as the roses of Paestum twice in a year."
Yet as the back is fitted to the burden and the wind tempered to the shorn lamb, so again, as in his early griefs, the sorrow of The Dreamer was not all pain, there was an element of beauty—of poetry—in it that made it possible to be endured. Out of the depths of the Solitude and the Silence he said to his soul,
"It is a happiness to wonder—it is a happiness to dream."
Source: Gutenberg

Mary Newton Stanard The Dreamer: A Romantic Rendering of the Life-Story of Edgar Allan Poe

Summer passed, and autumn, and winter drew on—filling the dwellers in Fordham cottage with fear of they knew not what miseries. There had been ups and downs; there had been happiness and woe; there had been times of strength and times of weakness—of weakness when The Dreamer, unable to hold out in the desperate battle of life as he knew it; hungry, cold and heartbroken at the sight of his wife with that faraway look in her eyes, had fallen—had sought and found forgetfulness only to know a horrible awakening that was despair and that was oftentimes accompanied by illness.
Source: Gutenberg

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