Matthew Phipps Shiel

Matthew Phipps Shiel

The Bride (1902)

Summary

Portrait of Matthew Phipps Shiel Matthew Phipps Shiel,  The Bride (1902)

“ Thus did Annie drop to the rock-bed of vulgarity; but she knew it to be necessary in order to touch Rachel, as with a white-hot wire, on her very nerve of anguish, and, in fact, at these words Rachel's face resembled white iron, while she cried out, "Never mind my teeth! It isn't the teeth a man looks at! A man knows a finely built woman when he sees her — not like a little dumpy podge!" ”
Source: Wikisource

Portrait of Matthew Phipps Shiel Matthew Phipps Shiel,  The Bride (1902)

“ It takes a bright man to hide much from them, don't it?"
"But there isn't much to hide in this case, as far as I can see — is there?"
Always Walter laughed, straining deep in the throat. He said: "Oh, come — that would be telling, wouldn't it?"
After a minute's stillness, this treacherous phrase came from Rachel: "Annie doesn't care for anyone, Mr. Teeger."
"Oh, come — that's rather a tall order, any one. She's all right."
"But she doesn't. Of course, most girls are silly, and that, and like to get married — "
"Well, that's only nature, ain't it?"
”
Source: Wikisource

Portrait of Matthew Phipps Shiel Matthew Phipps Shiel,  The Bride (1902)

“ She held him down by the shoulders; was stretched at length on the bed, over him; and the room seemed full of a rustling and rushing, very strange, like starched muslins rushing out in stormy agitation. She was speaking, too, to him in breathless haste, whimpering a secret gibberish which whimpered like a pup for passion — about love and its definition, and about the soul, and the worm, and Eternity, and the passion of death, and the nuptials of the tomb, and the lust and hollowness of the void. ”
Source: Wikisource

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