Summary

Portrait of Maurice Hewlett Maurice Hewlett Halfway House: A Comedy of Degrees

There had been glamour. She recalled, with a thrill, the Sunday afternoon when Mrs. James had caught him reading Shelley to her under the apple tree, and blushed anew as she had blushed then. And the continuous alarm of the affair! The moments snatched in pauses of the chase! Yes, there had been glamour, and it had been sweet—perilous and sweet. It was a thing to remember, but not to fear. She didn’t think she need fear anything, especially as she had told Mr. Germain all about it—or as good as told him.
But it’s always ticklish work, meeting an old heart’s acquaintance on new terms.
Source: Gutenberg

Portrait of Maurice Hewlett Maurice Hewlett Halfway House: A Comedy of Degrees

Tristram was master of implication, and her master there. Throughout his airy monologue he had taken her for granted—her and her origin, her humility, her subservience to his nod, her false position with Germain, her false position now. Why, his very amiability, his deference to her opinion, his tentative approach—what were these but implications of his passion for her, a passion so strong that it could bend his arrogant back, and show a Tristram Duplessis at the feet of a Mary Middleham? She writhed, she burned to feel these things, and to be powerless against such attack.
Source: Gutenberg

Portrait of Maurice Hewlett Maurice Hewlett Halfway House: A Comedy of Degrees

She stroked Jinny’s cheek, tiptoed for a kiss. Presently she fairly sobbed on Jinny’s bosom.
“Oh, you are unkind to me—you hurt me dreadfully! What have I done, that you won’t love me?”
“Done!” cried Jinny. “Hear her!” Then with blazing wrath she scorned her sister. “I’ll tell you what you’ve done, my dear. You’ve married a gravestone. Sacred to the Memory of John Germain, Esquire—that’s what you’ve sold yourself to—take your joy of that. The price of a kissed hand! You’ll find out before morning, my beauty. If I marry a crossing-sweeper, he shall be a man.”
Source: Gutenberg

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