Summary

Portrait of Maurice Leblanc Maurice Leblanc The Three Eyes — Chapter IV. Noel Dorgeroux's Son (1921)

Some men quickly severed the ropes with hatchets. Etienne and Joseph Montgolfier lifted their hats.
And the balloon rose in space. The people in the crowd raised their arms and filled the air with an immense clamour.
For a moment, the screen showed us the two brothers, by themselves and enlarged. With the upper part of their bodies leaning from the car, each with one arm round the other's waist and one hand clasping the other's, they seemed to be praying with an air of unspeakable ecstasy and solemn joy.
Source: Wikisource

Portrait of Maurice Leblanc Maurice Leblanc The Three Eyes — Chapter IV. Noel Dorgeroux's Son (1921)

To begin with, you are nervous and ill at ease; and your merriment is first and foremost a reaction. But, in addition, the spectacle of that horrible scene was so — what shall I say? — so convincing that you looked upon it, in spite of yourself, not as a reconstruction of the murder, but as the actual murder of Miss Cavell.
Source: Wikisource

Portrait of Maurice Leblanc Maurice Leblanc The Three Eyes — Chapter IV. Noel Dorgeroux's Son (1921)

The hills surrounding the town disappeared; and the whole screen was filled with a crowd swarming with lively gestures around an open space above which hung a balloon, held captive by ropes. Suspended from the balloon was a receptacle serving probably for the production of hot air. Men were issuing from the crowd on every hand. Two of them climbed a ladder the top of which was leaning against the side of a car. And all this, the appearance of the balloon, the shape of the appliances employed, the use of hot air instead of gas, the dress of the people
Source: Wikisource

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