Maurice Leblanc,
The Three Eyes — Chapter V. The Kiss
(1921)
“ Opposite him, in the middle of the magic space on the wall, was he himself this time, standing not like a frail and shifting phantom, but like a human being full of movement and life. Yes, Noel Dorgeroux went to and fro before us and before himself, wearing his usual skull-cap, dressed in his long frock-coat. And the setting in which he moved was none other than the Yard, the Yard with its shed, its workshops, its die-order, its heaps of scrap-iron, its stacks of wood, its rows of barrels and its wall, with the rectangle of the serge curtain! ”
