Summary

Portrait of Maurice Leblanc Maurice Leblanc The Three Eyes — Chapter XV. The Splendid Theory (1921)

Let the opportunity be seized, let the Meudon Amphitheatre be declared national property! It is out of the question that an individual should, to the detriment of all mankind, remain the sole possessor of such tremendous secrets and have it in his power, if he please and in obedience to a mere whim, to destroy them for all time. The thing cannot be allowed. Before many days have elapsed we must enter into unbroken relations with the inhabitants of Venus.
Source: Wikisource

Portrait of Maurice Leblanc Maurice Leblanc The Three Eyes — Chapter XV. The Splendid Theory (1921)

By what prodigious machinery do they obtain a perfect fixity in the projections between two stars each animated with such complicated movements in space (at present we know of seventeen in the earth alone) ? And, to consider only what is close at hand, what is the nature of the screen employed for the Meudon projections? What is that dark-grey substance with which it is coated? How is that substance composed? How is it able to reconstruct the pictures? These are so many questions which our scientific attainments are incapable of solving.
Source: Wikisource

Portrait of Maurice Leblanc Maurice Leblanc The Three Eyes — Chapter XV. The Splendid Theory (1921)

But science does not prevent us from asking ourselves whether, after the failure of these attempts, the inhabitants of Venus did not resort to another method of correspondence. How can we avoid thinking, for instance, of the X-rays, whose strictly rectilinear path would allow of the formation of pictures so clear that one could wish for nothing better? In fact it is not impossible that these rays are employed for the emission received on the Meudon screen, though the quality of the light when analyzed in the spectroscope makes the supposition highly improbable.
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature