Summary

Portrait of Max Beerbohm Max Beerbohm A Christmas Garland — Out of Harm's Way (1912)

Surely it is because we are made acquainted with the grey sadness of twilight, the solemn majesty of the night-time, the faint chill of the dawn, that we set so high a value on the more meridional hours. If there were no autumn, no winter, then spring and summer would lose, not all indeed, yet an appreciable part of their sweet savour for us. Thus, as his mind matured, Percy came to be very glad of the gradual changes of the year.
Source: Wikisource

Portrait of Max Beerbohm Max Beerbohm A Christmas Garland — Out of Harm's Way (1912)

In regard to Christmas, he could not help wishing that Charles Dickens had laid more stress on its spiritual element. It was right that the feast should be an occasion for good cheer, for the savoury meats, the steaming bowl, the blazing log, the traditional games. But was not the modern world, with its almost avowed bias towards materialism, too little apt to think of Christmas as also a time for meditation, for taking stock, as it were, of the things of the soul? Percy had heard that in London nowadays there was a class of people who sate down to their Christmas dinners in public hotels.
Source: Wikisource

Portrait of Max Beerbohm Max Beerbohm A Christmas Garland — Out of Harm's Way (1912)

But it was clear that Nature herself never spoke thus. Even as a passenger in a frail barque on the troublous ocean will keep his eyes directed towards some upstanding rock on the far horizon, finding thus inwardly for himself, or hoping to find, a more stable equilibrium, a deeper tranquillity, than is his, so did Percy daily devote a certain portion of his time to quiet communion with the almanac.
There were times when he was sorely tempted to regret a little that some of the feasts of the Church were "moveable."
Source: Wikisource

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