Max Beerbohm

Max Beerbohm

Summary

Portrait of Max Beerbohm Max Beerbohm,  Zuleika Dobson — Chapter 6 (1911)

“ Salt Cellar, that grey and green quadrangle visible from the room assigned to Zuleika, is very beautiful, as I have said. So tranquil is it as to seem remote not merely from the world, but even from Oxford, so deeply is it hidden away in the core of Oxford's heart. So tranquil is it, one would guess that nothing had ever happened in it. For five centuries these walls have stood, and during that time have beheld, one would say, no sight less seemly than the good work of weeding, mowing, rolling, that has made, at length, so exemplary the lawn. ”
Source: Wikisource

Portrait of Max Beerbohm Max Beerbohm,  Zuleika Dobson — Chapter 6 (1911)

“ One has never known a good man to whom dogs were not dear; but many of the best women have no such fondness. You will find that the woman who is really kind to dogs is always one who has failed to inspire sympathy in men. For the attractive woman, dogs are mere dumb and restless brutes—possibly dangerous, certainly soulless. Yet will coquetry teach her to caress any dog in the presence of a man enslaved by her. Even Zuleika, it seems, was not above this rather obvious device for awaking envy. ”
Source: Wikisource

Portrait of Max Beerbohm Max Beerbohm,  Zuleika Dobson — Chapter 6 (1911)

“ The Duke looked up. "I'm all but ready," said Zuleika at her window.
That brief apparition changed the colou r of his resolve. He realised that to die for love of this lady would be no mere measure of precaution, or counsel of despair. It would be in itself a passionate indulgence—a fiery rapture, not to be foregone. What better could he ask than to die for his love? Poor indeed seemed to him now the sacrament of marriage beside the sacrament of death. Death was incomparably the greater, the finer soul. Death was the one true bridal.
”
Source: Wikisource

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