Summary

Portrait of Max Brand Max Brand The Night Horseman — I. The Scholar (1920)

Accordingly, at this point Randall Byrne removed from his nose his thick glasses and holding them poised he stared through the window at the view without. He had quite changed his appearance by removing the spectacles, for the owlish touch was gone and he seemed at a stroke ten years younger. It was such a face as one is glad to examine in detail, lean, pale, the transparent skin stretched tightly over cheekbones, nose, and chin.
Source: Wikisource

Portrait of Max Brand Max Brand The Night Horseman — I. The Scholar (1920)

At the age of six Randall Byrne could name and bound every state in the Union and give the date of its admission; at nine he was conversant with Homeric Greek and Caesar; at twelve he read Aristophanes with perfect understanding of the allusions of the day and divided his leisure between Ovid and Horace; at fifteen, wearied by the simplicity of Old English and Thirteenth Century Italian, he dipped into the history of Philosophy and passed from that, naturally, into calculus and the higher mathematics
Source: Wikisource

Portrait of Max Brand Max Brand The Night Horseman — I. The Scholar (1920)

After a moment of staring through the window the scholar wrote again: "The major portion of Elkhead lies within plain sight of my window. I see a general merchandise store, twenty-seven buildings of a comparatively major and eleven of a minor significance, and five saloons. The streets—"
The streets, however, were not described at that sitting, for at this juncture a heavy hand knocked and the door of Randall Byrne's room was flung open by Hank Dwight, proprietor of Elkhead's saloon—a versatile man, expert behind the bar or in a blacksmith shop.
Source: Wikisource

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