Summary

Portrait of Max Brand Max Brand The Night Horseman — XVII. The Coming (1920)

Far over the sleeping man leaned the stranger, as if he were peering closely into the closed eyes of Joe Cumberland. There was a tenseness of watching and waiting in his attitude, like the runner on the mark, or like the burden-bearer lifting a great weight, and Byrne gathered, in some mysterious manner, the impression that Barry sent through his hands and into the body of Cumberland a continual stream of nervous strength—an electric thing.
Source: Wikisource

Portrait of Max Brand Max Brand The Night Horseman — XVII. The Coming (1920)

In the deadly silence Kate rose to her feet; and the old man, the invalid—he with the dead body and the living brain, rose from his couch and stood as erect as a soldier on parade. The doctor was conscious of repeating to himself, hurriedly, a formula something like this: "The thing which is coming is human; it cannot be more than human; as long as it is human it is nothing to fear; the laws of truth are irrevocably fixed; the laws of science will not change."
Source: Wikisource

Portrait of Max Brand Max Brand The Night Horseman — XVII. The Coming (1920)

Doctor Byrne obeyed, opening the door softly. He saw Joe Cumberland prone, of course, upon the couch. One hand lay as usual across his breast, but the other was at his side, clasped in the hands of Dan Barry. The old cattleman slept. Yes, there was no doubt that for the first time in many days he slumbered soundly. The lean, narrow chest rose and fell with deep, slow breaths; the eyes were closed, and there was no twitching of muscles to betray ragged nerves or a mind that dreamed fiercely while the body slept.
Source: Wikisource

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