Summary

Portrait of Max Pemberton Max Pemberton The House Under the Sea: A Romance

I have Clair-de-Lune with me at the great sea-gate, and Dolly Venn and Seth Barker are at the gun. The night is so dark that the best trained eye can distinguish little either on sea or land. Ken's Island itself is now but a blur of black on a cloud-veiled horizon. We have shut off every light in the house itself; the reef runs no longer beneath the sea like a vein of golden light, nor do the windows cast aureoles upon the sleeping water. What breeze there is comes in hot gusts like breath from heated waters. We cannot see Czerny's yacht nor espy any of his boats near or afar
Source: Gutenberg

Portrait of Max Pemberton Max Pemberton The House Under the Sea: A Romance

Sleep itself, the island's sleep, could have been no worse than the agony we suffered.
"Doctor," I cried, as I ran panting up to him, "Edmond Czerny's house or another—show us the way, here and now! We cannot fare worse; you know that. Lead on and we follow, wherever it is."
The others said, "Aye, aye, lead on and we follow." Desperation was their lot now; the madman's haste, the driven man's hope. There, in that fearful hollow, lives were ebbing away like the sea on a shallow beach. They fought for air, for breath, for light, for life.
Source: Gutenberg

Portrait of Max Pemberton Max Pemberton The House Under the Sea: A Romance

For imagine a suite of rooms above which the tides surge—rooms lighted by tunnels in the solid rock and covered over with strongest glasses which the sea cannot break. Imagine countless electric lamps lighting this labyrinth until it seems sometimes like a fairy palace. Say that your drawing-room is a cave, whose walls are of jewels and whose floor is of jasper. Night and day you hear the sea, the moaning winds, the breaking billows. It is another world here, like to nothing that any man has seen or ever will see. The people of a city could live in this place and yet leave room for others.
Source: Gutenberg

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