Summary

Portrait of Mayne Reid Mayne Reid The Wild Huntress: Love in the Wilderness

Though we know that the danger is not immediate, there is a significance in the tones of that wild slogan. They express more than the usual hostility of red to white—they breathe a spirit of vengeance. The gestures of menace—the brandished spears, and bended bows—the war-clubs waving in the air—are all signs of the excited anger of the Indians. Blood has been spilled—perhaps the blood of some of their chosen warriors—and ours will be sought to a certainty. We perceive no signs of a pacific intent—no semblance that would lead us to hope for mercy. The foe is bent on our destruction.
Source: Gutenberg

Portrait of Mayne Reid Mayne Reid The Wild Huntress: Love in the Wilderness

Still less agreeable might appear the fierce miaulling of the red puma, and the howl of the gaunt wolf; but not so to the ears of the awakened hunter, who, through the chinks of his lone cabin, listens to such sounds with a savage joy.
These fierce notes are now rare and exceptional—even in the backwoods—though, unlike the war-whoop of the Indian, they have not altogether departed. Occasionally, their echo may be heard through the aisles of the forest, but only in its deepest recesses—only in those remote river “bottoms” where the squatter delights to dwell.
Source: Gutenberg

Portrait of Mayne Reid Mayne Reid The Wild Huntress: Love in the Wilderness

A body, tall, angular, and ill-shaped, scarred with cicatrised wounds, and bent with age; a face seamed with the traces of evil passion; eyes deep sunken in their sockets, and sparkling like coals of fire—an aspect more fiend-like than human! All this agrees with the descriptions I have had of the Red-Hand chief. Assuredly it is he. Our enemies, then, are the Arapahoes—their leader the dreaded Red-Hand.
“Heaven have mercy upon us! These men will have none!” Such was the ejaculation that escaped my lips, on recognising, or believing that I recognised, the foe that was before us.
Source: Gutenberg

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