Summary

Melvin G. Winstock "A Modern Hercules," The Tale of a Sculptress… (1899)

New York has the greatest things of any city in the world, and we have added to our proud possession in the shape of Dr. Nugent, whose courage has won the admiration of all classes of the community. Some years ago an adventurous and audacious creature established a studio in this city, and has since palmed off upon certain hysterical newspaper men and old maids sighing for excitement, some vulgar carvings, and by pandering to depravity and licentiousness, has contrived to secure a certain idolatrous following.
Source: Wikisource

Melvin G. Winstock "A Modern Hercules," The Tale of a Sculptress… (1899)

The sensation of the season has arisen out of 'A Grecian Temptress,' by Ouida Angelo. Only crude, narrow and dogmatic opinion condemns. The liberal and artistic world welcomes the work and its producer, and New York is to be congratulated upon the priceless possession of a genius who has obliterated sex in the grandness of her conceptions, in the boldness of her execution and in her wondrous grasp of poetic imagination.
Source: Wikisource

Melvin G. Winstock "A Modern Hercules," The Tale of a Sculptress… (1899)

Nugent, in the face of her admiring adherents, many of whom are members of his own congregation, has had the courage to read New York a much-needed lesson. In an age when so many preachers speak to please their rich constituencies, it is indeed refreshing to find one man who preaches his convictions, regardless of consequences. 'A Grecian Temptress,' by Ouida Angelo, is a dangerous work of art, because of its very seductive quality. To the youth of our land it is suggestive of pernicious evil.
Source: Wikisource

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