Mrs. Hugh Fraser

Mrs. Hugh Fraser

Summary

Portrait of Mrs. Hugh Fraser Mrs. Hugh Fraser More Italian Yesterdays

Of all the landmarks of history with which the kingdom of Naples is dotted, none perhaps is more rich in romance or more imbued with the spirit of tragedy than a certain straggling, half-ruined castle near the little village of Pizzo, upon the coast of Calabria.
A round tower, grey and sullen with age, faces the sea; in the wall of it is set a small, heavily barred window through which one of the very few comparatively good kings of Naples looked his last upon a world which had seen him rise from a peasant to a monarch.
Source: Gutenberg

Portrait of Mrs. Hugh Fraser Mrs. Hugh Fraser More Italian Yesterdays

Of all the angry barons who had rallied to Joan’s support, the last-mentioned, Bertrand d’Artois, really loved her for herself, and was actuated by no motive of personal gain, except—alas!—his lawless hope of becoming united to her in matrimony once her husband were removed from the path of his criminal passion. In vain his father, the brave and noble Charles of Artois, one of the regents of the kingdom, strove to dissuade him from the perilous course of a love as treasonable as it was immoral; nothing was of any avail to hold back the young man from the pursuit of his designs.
Source: Gutenberg

Portrait of Mrs. Hugh Fraser Mrs. Hugh Fraser More Italian Yesterdays

The illustrious company was headed by Andrew of Hungary in person, and beside him rode Queen Joan on a white palfrey; whilst close behind them pressed the throng of those who had sworn to return to Naples only when Andrew should have ceased to breathe. Never before had Andrew shown himself so gay, so responsive to all the delights of life and friendship as on that morning; although he knew that he, as well as the men who rode behind him, had death in his heart—the death of many among those very men who were now preparing to consummate their treachery by murdering him.
Source: Gutenberg

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